C’s Five Point Process for Characters

Someone recently asked about character development and I remembered this blog post by c-is-for-circinate. I’ve used the following questions from that post for all my protagonists and antagonists since writing my debut novel:

C’s Five-Point Process For Figuring Out Multidimensional, Plot-Relevant Characters

  1. What did this person want, before everything began?
    (This isn’t one thing.  This is a list.  Everybody wants lots of things.  Think about how much your character wants stuff.  Think about priorities.  They wanted to conquer the world.  They wanted a bowl of ice cream.  Which one did they want more?  What was more important?  Remember to include things your character doesn’t even consciously think about wanting.)
  2. How did they intend to get it?
    (‘They didn’t intend to get it at all’ is a completely valid answer for all kinds of things your character wanted.  ’They didn’t think they could’ or ‘they wanted this other thing more’ are all real.  ’They weren’t sure’ is a little bit incomplete—were they trying to figure out a plan?  Were they waiting to see what came along?  ’Trying to plan’ and ‘waiting’ are both choices and action plans.  Remember that even a character who does very little is choosing, constantly, to do that.)

    [EVENTS TRANSPIRED]
  3. Now what do they want?
    (How is this different from #1?  What shifted?  How do they feel about that?  Are they resentful?  Scared?  Excited?  Resigned?  Relieved?  What priorities have completely dropped off your character’s radar?  What new things have come up?  How much of that are they conscious of themselves?)
  4. How do they intend to get that?
    (They don’t need to make a full-on action plan right away.  Reflexes count here too.  Just like a goal can be unconscious, so can a reaction.  Is a plan from before going to be backburnered?  Is something previously filed as ‘unattainable’ suddenly attainable?)
  5. How do those actions affect the plot?
    (This one is super, super important for creating a character that feels relevant and has agency.  They don’t have to get what they’re after.  But your character is going to want something, and take action to want something, and those actions should have material consequences, not just for that character but for the story as a whole.  This is one problem that female characters often have—they make other characters’ difficulties harder or easier, but their actions do not actually change the outcome of events.)

It seems simple but it’s soooo powerful. You really get to the heart of the character arc. There will be a lot more character work to do after answering the questions but these five questions are a great start.

Cover Reveal: Her Runaway Lady

It’s coming 1 May 2026!

Her Runaway Lady, my sapphic historical romance, is set in Paris in an alternate 19th century. If you’re read my Roboticist of Versailles books, the setting will be familiar AND there’s an Easter egg.

Check out the beautiful cover by Liz at Bookcoversbylizbe. It’s SO perfect! The silhouettes look just like the characters 😀

Cover by Bookcoversbylizbe

Solange’s ambition doesn’t leave room for longing. And love was never part of her plan.
Louise-Marie escaped a gilded cage, trading the halls of Versailles for a cramped millinery. She expected hard work—but not Solange.
But as their secrets threaten to unravel, one wrong stitch could cost them everything.

Want to read it before everyone else? Willing to write a review? Get an advance reader’s copy by filling out my ARC request form. Requests close on 20 April 2026.

Her Runaway Lady, my playlist

I almost always have music playing when I’m writing or editing. I put together playlists for each book so I can get myself in the right mood. Here are all the songs I’ve been listening to while writing and editing Her Runaway Lady, a sapphic romance set in Paris in the 1880s. The setting is a Belle Epoque That Never Was but the music in this playlist, titled Sapphos, is all over the place.

It includes Fever Ray, k.d. lang, Billie Eilish, Unwoman, Sinead O’Connor, Morphine, Satie, songs from the Moulin Rouge soundtrack, Cat Stevens, Kate Bush, Baby Rose, Girlpool, Suzanne Vega, yeule, Saint Avangeline, Kiki Rockwell, Aimee Mann, Nouvelle Vague, Florence + the Machine, Christine and the Queens, Julien Baker, dodie, India, Tove Lo, Cecile Chaminade, Arlo Parks, Floor Cry, chloe moriondo, Debussy, Jill Tracy, Willow, and Sharon Van Etten.

These songs have ALL the feels of two young women falling in love but resisting that with everything they’ve got.

If you listen to it, leave a comment and let me know what your favorite track is.

Tea, a deleted scene

A fine cup of tea at Betty’s Tea Room in York, U.K.

So I have a dusty partial manuscript of a lesbian contemporary romance hanging about. This is a scene I wrote that sets up the main character’s plotline but won’t be in the actual book. I thought it would be a fun read.

Tea

Ginny stood in her tiny kitchen shuffling through bags and canisters of tea. The musty, floral, smoky dust drifting out of the cupboard tickled her nose. She pried open a brightly patterned metal tin full of green tea leaves and sniffed. Her wide mouth twisted and she shut the lid. Nope. Not this morning. She grabbed another canister, catching a couple of bags that slithered out of the cupboard.

“Eric, what kind of tea do you want? I can’t decide,” she called over her shoulder. 

Her best friend slouched over the counter, perching on a bar stool. He shrugged. His face had a greenish tinge and his eyes were still smudged with black eyeliner. Last night had turned into this morning and neither of them had slept. Eric’s drag show had dragged on into the wee hours. A cup of tea before crashing had seemed like a good idea but Ginny’s tired brain couldn’t make a decision and apparently neither could Eric.

She sighed. “Fine, my English breakfast as usual. I just hope the milk hasn’t gone off. I meant to get some yesterday.” The giant tin of her favorite black tea was already on the counter. Ginny scooped heaping tablespoons of leaves into her trusty brown teapot and tapped her fingers, waiting for the water to boil. The kettle always took ages. Maybe one day she’d buy one of those fancy Japanese water boilers that Eric had. Maybe one day she wouldn’t struggle to pay rent and the water boiler would seem like a reasonable purchase.

The whistling kettle pierced the air and they both winced. It had been a long night and Ginny had lost track of how many drinks she’d tossed back. All of her favorite drag queens had been at the show and they all insisted on buying her a drink. She couldn’t say no. It was their way of showing gratitude for her help with makeup, hair, and backstage wardrobe malfunctions

“You really love tea, don’t you?” Eric broke into her train of thought. 

She poured the boiling water over the tea leaves before shooting a glance at him. “Well, yes. What of it? You love tea too.”

He shifted on the stool, a thoughtful expression crossing his face. “I love tea but not like you. You LOVE tea. Look at your cabinet. You have a monthly tea budget. And your own tea blends? Which are fantastic. You’re a tea fanatic, Ginny my love.”

She pursed her lips, watching the tea timer. “So I’m really into tea. What’s your point?”

He was silent and Ginny glanced over at him. She knew him well enough to know that look. “You’re scheming.”

Eric’s mouth dropped open for a moment then shut with a clap. “I wouldn’t say scheming exactly. It’s just that I had an idea.”

Ginny poured the tea into mismatched porcelain mugs and inhaled the aromatic steam with closed eyes. “Ideas at 6 am before tea? Not good. Here, drink this.” She shoved a mug across the counter to him.

He blew across the liquid and took a sip. “Mmm, nice, what is this?” 

She grinned. “I blended some pu’er and Assam with a little Pekoe. It’s great with milk.”

He shuddered. “Milk in tea? Heathen.”

“Just because Chinese people don’t like milk in their black tea doesn’t mean I can’t like it.”

Eric put down his mug and fixed her with a stare. “My mother would kill me if I put milk in my tea. But anyway. I have an idea. About your career.”

Ginny snorted and raised her eyebrow. “Career? I don’t have a career, sweetie. I have a series of low-paying gigs and soul-killing retail jobs.”

His smile called to mind the cat who’d stolen the salmon off the counter. “Exactly. What you need is direction. Passion. Motivation.”

She gulped down her tea then wrinkled her nose at him. “You sound like a career counselor or something. What are you getting at?”

“You love tea, no you’re obsessed with tea. So make something of it. Open a business. A tea store, a booth at craft fairs, I don’t know, what about a tea room?”

The sound she made could’ve been mistaken for a cat with a particularly nasty hairball. “Tea room? Like one of those lace doily and matching china tourist traps downtown? Me? Are you kidding?”

Eric sipped his tea, waiting for her to calm down. She sputtered and huffed for a while. After Ginny’s snorts and expletives had quieted, he tried again.

“I meant something more you. Unique tea blends. Tea that people who know tea would want to drink. But nothing really high end. We already have that in Victoria.”

Ginny frowned in concentration. She did love playing with teas but she wasn’t convinced that it could actually be something she made money doing.

WAStanley reviewed the Cultist’s Wife!

How lovely it is to get a deep, thoughtful review. I am so appreciative of W.A. Stanley for this delightful writeup of The Cultist’s Wife. He really enjoyed my Roboticist of Versailles books and I was a little nervous about the reception of this one since it’s so different. Happily, he had only positive things to say!

Click on the book cover to read the review.

It’s Release Day for The Cultist’s Wife!

This book o’ mine had a long, strange, and winding journey to publication but it’s HERE.

Long time readers of this blog first encountered it as a story about a little girl going to the Bahamas called Sand and Bones. Then I re-wrote it to be Clara’s story, and it became Escaping Andronicus. And then I let my Beta readers (thank you Dover and Thena!) at it (again) and it was finally titled The Cultist’s Wife.

Then it sat in my To Be Edited folder while I worked on The Vitruvian Mask because I had people asking me for a sequel to The Archimedean Heart and I am nothing if not responsive to my readers. <grin>

But finally, I returned to this book and polished it up to a shine. I had my developmental editor give it another pass. A sensitivity reader took a look at it from a Black Bahamian perspective. I hired a proofreader (thanks, Alison!) and got a great cover designer (Kelley York at Sleepy Fox Studios). I think it’s the story I wanted to tell now.

I have had some lovely people look at the ARCs and wanted to share snippets of their reviews:

The book took my breath away…

It had everything that I was looking for…

I was so enthralled in this story I couldn’t stop thinking about it when I couldn’t be reading it.

This was a quick read and it sucked me in right away!

Read this in 2 days. Very readable!

Blushing emoji

Awww, you folks are so sweet! <BLUSH> I was so pleased to read these reviews!

If you want your own copy, The Cultist’s Wife is on sale through the month of May.

It’s part of a promo package with a ton of other horror, mystery, and suspense books here or by itself here.

ARCs available now for The Cultist’s Wife

Aerial view of a Bahamian island and the ocean around it.
Photo by Symeon Ekizoglou on Pexels.com

1908, the height of the British Empire. Clara’s autonomy is shattered when her long-absent husband summons her to join him at his eerie sect’s headquarters, insulated on a sparsely inhabited island in the Bahamas.

After a harrowing sea voyage, Clara and her children disembark into an unfamiliar landscape and climate. The children explore the marvels and mysteries of Andros Island and develop friendships with a Bahamian family, while Clara struggles to find her place as a woman within the cult.

But what seems at first to be a spiritual haven for Clara reveals itself to be a monster-worshiping cult intent on draining her family of more than their fortune.

Clara realizes that her quest for independence must mesh with her need to protect her children from the cult’s depraved attempts to consume their life essence.

Thanks for your interest. The ARC signups are now closed. To be part of the next ARC campaign, sign up for my email newsletter.